Brave New World
Brave New World is a dystopia novel by Aldous Huxley. It was first published in 1932. The novel is set in London of "AF 632", which is about 2540 AD, and speaks of developments in reproductive technology, operant conditioning, and sleep-learning that change society.
The general idea is a World Government manipulates people so as to make them easier to govern. They are split into five castes, hatched by the state to fill preset positions in society. The lower castes, which are clones, are treated with chemicals to arrest their mental and physical development. Children are treated by a process which gives them only information appropriate to their caste. They are moulded for their positions in life. Psychological needs are met by compulsory dosing of the drug soma, a hallucinogen which takes the user on an enjoyable trip. In the novel various characters experience life in this planned society and struggle with the problems it causes them.
Related pages
References
- Huxley, Aldous, 1894–1963 (1998). Brave New World (First Perennial Classics ed.). New York: HarperCollins Publishers. ISBN 0-06-092987-1.
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: CS1 maint: multiple names: authors list (link) - Huxley, Aldous, 1894–1963 (2000). Brave New World Revisited (First Perennial Classics ed.). New York: HarperCollins Publishers. ISBN 0-06-095551-1.
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: CS1 maint: multiple names: authors list (link) - Postman, Neil (1985). Amusing Ourselves to Death: Public Discourse in the Age of Show Business. USA: Penguin USA. ISBN 0-670-80454-1.
- Higgins, Charles & Higgins, Regina (2000). Cliff Notes on Huxley's Brave New World. New York: Wiley Publishing. ISBN 0-7645-8583-5.
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: CS1 maint: multiple names: authors list (link) - http://www.huxley.net/
Other websites
- 1957 video interview with Huxley as he reflects on his life work and especially Brave New World
- Scholarly essay/article on Brave New World Archived 2010-03-16 at the Wayback Machine
- Aldous Huxley: Bioethics and Reproductive Issues
- A Defense of Paradise-Engineering. A critical review of Huxley's novel by David Pearce.