Folie à Deux (album)
- This article is about the studio album, the mental condition is at Folie à deux
Folie à Deux is the fifth studio album by American rock band Fall Out Boy. It was released through Island Records on December 16, 2008 in the United States. The album title is French for "a madness shared by two." The album reached #8 on the US Billboard 200 album chart with 150,000 sales in its first week, making it Fall Out Boy's third top 10 album in a row. The first single was "I Don't Care" which reached #21 on the Billboard Hot 100 songs chart. It is certified gold in the US for shipments of 500,000 copies. It got positive reviews by music critics. It is the final album the band made before taking a break.
Folie à Deux | ||||
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Studio album by | ||||
Released | December 16, 2008 | |||
Recorded | Los Angeles, California | |||
Genre | Pop punk, alternative rock | |||
Label | Decaydance, Island, Fueled by Ramen | |||
Producer | Neal Avron, Pharrell | |||
Fall Out Boy chronology | ||||
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Singles from Folie à Deux | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Alternative Press | link |
Blender | link |
The Observer | link |
Rock Sound | link |
Tracks
- "Lullabye (hidden pregap track)
- "Disloyal Order of Water Buffaloes"
- "I Don't Care" - 3:39
- "She's My Winona"
- "America's Suitehearts"
- "Headfirst Slide Into Cooperstown On A Bad Bet" - 3:55
- "The (Shipped) Gold Standard"
- "(Coffee's for Closers)"
- "What a Catch, Donnie"- 5:01
- "27"
- "Tiffany Blews"
- "w.a.m.s."
- "20 Dollar Nose Bleed"
- "West Coast Smoker"
Folie à Deux (album) Media
Patrick Stump and Pete Wentz performing in London on October 22, 2008. The two worked together at Stump's home during the early stages of the album's development.
Fall Out Boy performing with Panic! at the Disco's Brendon Urie, who provided vocals for the songs "20 Dollar Nose Bleed" and "What a Catch, Donnie"
Joe Trohman performing on May 9, 2009, as part of the Believers Never Die Tour Part Deux. The formal attire, which differed from the band's usual wear, was typical of the tour and served as a commentary on corporate America.