The Tsar's Bride
The Tsar's Bride (Tsarskaya nevesta in Russian) is an opera by Nikolai Rimsky-Korsakov. It was the tenth opera the composer wrote. The words (libretto) were written by Il’ya Tyumenev who based the story on a book called “The Tsar’s Bride by Lev Mey. The opera was composed in 1898. The first performance took place in 1899 at the Moscow theater of the Private Opera of S.I. Mamontov.
Roles
| Role | Voice type | Premiere cast Moscow 3 November (O.S. 22 October) 1899 (Conductor: Mikhail Ippolitov-Ivanov) |
Premiere cast St. Petersburg 11 November (O.S. 30 October) 1901 (Conductor: Eduard Nápravník) |
Premiere cast Moscow 1916 (Conductor: Feliks Blumenfeld) |
Premiere cast London 14 April 2011 (Conductor: Mark Elder) |
|---|---|---|---|---|---|
| Vasily Stepanovich Sobakin, Novgorodian merchant | bass | Nikolay Mutin | Lev Sibiryakov | Vasily Petrov | Paata Burchuladze |
| Marfa, his daughter | soprano | Nadezhda Zabela-Vrubel | Adelaida Bolska | Antonina Nezhdanova | Marina Poplavskaya |
| Grigory Gryaznoy, an oprichnik | baritone | Nikolay Shevelyov | Ioakim Tartakov | Leonid Savransky | Johan Reuter |
| Malyuta Skuratov, an oprichnik | bass | Tarasov | Aleksandr Antonovsky | Platon Tsesevich | Alexander Vinogradov |
| Boyar Ivan Sergeyevich Lïkov | tenor | Anton Sekar-Rozhansky | Fyodor Oreshkevich | Mikhail Kurzhiyamsky | Dmitry Popov |
| Lyubasha | mezzo-soprano | Aleksandra Rostovtseva | Mariya Slavina | Pavlova | Ekaterina Gubanova |
| Yelisey Bomelius, the Tsar's physician | tenor | Vasily Shkafer | Daverin-Kravchenko | Fyodor Ernst | Vasily Gorshkov |
| Domna Ivanovna Saburova, a merchant woman | soprano | Sofiya Gladkaya | Sofiya Gladkaya | Elizabeth Woollett | |
| Dunyasha, her daughter, Marfa's girlfriend | mezzo-soprano | Varvara Strakhova | Yuliya Yunosova | Konkordiya Antarova | Jurgita Adamonyte |
| Petrovna, the Sobakins' housekeeper | mezzo-soprano | Varvara Kharitonova | Anne-Marie Owens | ||
| The Tsar's stoker | bass | ||||
| A maiden | mezzo-soprano | ||||
| A young lad | tenor | ||||
| Chorus, silent roles: Two distinguished horsemen, riders, oprichniki, male and female choristers, dancers, boyars and boyarïnyas, maidens, servants, people. | |||||
The story of the opera
The story is supposed to take place in the autumn of 1572 in Moscow. At this time Russia was ruled by a very cruel tsar called Ivan the Terrible. Tsar Ivan had a group of people who guarded him. They were called oprichniki. The oprichniki were like bodyguards, but they were told to kill anybody who was not loyal to the tsar, so they behaved like terrorists, killing, raping and stealing wherever they went. In the opera there are also “Boyars”. A Boyar was a nobleman.
Act 1: The Feast
Griaznoy is an oprichnik. Although he already has a lover, Lubasha, he now decides he loves Marfa, the daughter of the merchant Sobakin. Marfa is already engaged to be married to Lykov, a boyar. There is much merrymaking and singing at a feast. Then Griaznoy asks to be left alone with Bomelius, the tsar’s doctor. He asks him to get him a love potion. Lubasha, who is hiding, hears what he says and realizes that he does not love her any more. When the doctor goes, Griaznoy is horrible to Lubasha and tells her to go. She now wants to talk to Bomelius.
Act 2: The Love Potion
A lot of people are coming out of church. They talk about the autumn weather, but when the oprichniki appear they are very frightened and start talking about whom the tsar is going to choose for his bride . Marfa talks to her friend Duniasha about how she has loved Lykov ever since they were children. Tsar Ivan passes by. She does not recognize him, but she is very frightened at the way the Tsar is staring at her. Sobakin comes in with Lykov and the four of them sing about looking forward to the wedding.
Lyubasha now goes to Bomelius and asks for another magic potion which she wants to give to Griaznoi to stop him loving Marfa. Lyubasha agrees and goes inside with him.
Act 3: At the wedding
At the wedding celebrations Sobakin tells Lykov that he will have to wait before his marriage to Marfa can be confirmed. The Tsar himself is looking for a girl to marry and has asked to see Sobakin’s daughters. Griaznoy realizes he needs to use the love potion quickly so he asks to be invited to the wedding. At the celebration he puts the potion in Marfa’s drink. A messenger comes with the news that the Tsar has chosen Marfa to be his wife. Everyone is horrified and Sobakin collapses.
Act 4: The Bride
Sobakin is at the Tsar's palace. He is proud because his daughter is now the Tsarevna (the Tsar’s wife) and he himself has been made a Boyar. But he is also worried because Marfa has become very ill. Griaznoy comes in and greets Sobakin (who are now both boyars). He says that the person who poisoned Marfa has confessed. Marfa rushes in and tells Griaznoi to speak. He says that Lykov was tortured and then confessed to having poisoned Marfa. Lykov was then executed by Griaznoi himself. Marfa goes mad when she hears this. In her madness she thinks Griaznoy is Lykov. This eventually makes Griaznoy confess that he himself at put the potion into her drink. He did not realize it was poisonous. Lyubasha then confesses that she had put her potion in the place of Griaznoi’s potion. She blames Griaznoy and invites him to kill her. He kills her, then he is taken to prison to be executed. As he is taken away, Marfa, in her madness, once again mistakes Griaznoy for Lykov. She invites him to return the next day to visit her. Then she dies.
References
- The New Kobbé’s Opera Book, ed. The Earl of Harewood and Antony Peattie; Ebury Press, London; ISBN 978-0-09-181410-6 page 643
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