File:1868 Lawrence Alma-Tadema - Phidias Showing the Frieze of the Parthenon to his Friends.jpg
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Summary
Lawrence Alma-Tadema: Phidias Showing the Frieze of the Parthenon to his Friends | ||||||||||||||||||||||||||||||
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Artist |
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Title | ||||||||||||||||||||||||||||||
Object type | painting | |||||||||||||||||||||||||||||
Genre | history painting | |||||||||||||||||||||||||||||
Depicted people | Phidias | |||||||||||||||||||||||||||||
Date | 1868 | |||||||||||||||||||||||||||||
Medium | oil on canvas | |||||||||||||||||||||||||||||
Dimensions |
height: 72 cm (28.3 in) ; width: 110.5 cm (43.5 in) dimensions QS:P2048,+72U174728 dimensions QS:P2049,+110.5U174728 |
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Collection |
institution QS:P195,Q4916759
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Current location | ||||||||||||||||||||||||||||||
Accession number |
1923P118 (Birmingham Museums Trust) |
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Notes |
English: Painting shows at left the North frieze slab XLVII and the West frieze Slabs I and up visible at right in the Parthenon.[1] The painting is currently housed (2021) in the Birmingham Museum and Art Gallery.Among the spectators, critics have identified Pericles, the bearded man facing Phidias. Next to him is his mistress, Aspasia. In the foreground stands a youth, Alcibiades, with his lover, Socrates.[2][3][4] |
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References | ||||||||||||||||||||||||||||||
Source/Photographer | Birmingham Museums | |||||||||||||||||||||||||||||
Other versions |
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Licensing
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
References
- ↑ See Parthenon Frieze Slabs at [1] Last accessed 07-Apr-2007
- ↑ "[S]undry prominent Athenians, including Perikles with Aspasia, and Socrates with young Alcibiades, perambulate the scaffolding . . ." Nigel Spivey, Understanding Greek Sculpture, p.152
- ↑ "he introduces us to Phidias showing the frieze of the Parthenon to Pericles, Alcibiades, and Aspasia;" in SCRIBNERS MAGAZINE, DECEMBER 1895, LAURENS ALMA-TADEMA, R.A. By Cosmo Monkhouse; p.670 Photo of page in the Cornell Library
- ↑ "Little is actually known of the life of Phidias, but Alma-Tadema's picture easily convinces us that thus the great sculptor displayed to his friends and patrons his completed handiwork. Phidias himself, standing within the rope barrier, seems to await the favorable verdict of his illustrious protector, Pericles, who confronts him and has at his side the beautiful Aspasia. The young man at the extreme left seems meant for Alcibiades, who has also accepted an invitation to this private view of the frieze of the Parthenon, seen not as we now behold it in the British Museum, but with its match-less figures glowing with the tints just laid upon it by Phidias and his fellow-workers." in Among the Great Masters of Painting: Scenes in the Lives of Famous Painters; Walter Rowlands p.2
Annotations InfoField | This image is annotated: View the annotations at Commons |
319
519
168
174
2280
1513
Socrates
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553
131
140
2280
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Alcibiades
1117
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Phidias
1744
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2280
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Pericles
1625
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2280
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Aspasia
Items portrayed in this file
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image/jpeg
3e8f10a401e44ab1ebf2468bcf4134c93a705225
6,278,450 byte
2,551 pixel
3,935 pixel
File history
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Date/Time | Dimensions | User | Comment | |
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current | 02:54, 28 August 2020 | 3,935 × 2,551 (5.99 MB) | Alonso de Mendoza | better |
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Metadata
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Width | 3,999 px |
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Height | 2,603 px |
Bits per component |
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Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Adobe Photoshop 21.2 (Windows) |
File change date and time | 11:52, 28 August 2020 |
Exif version | 2.31 |
Color space | sRGB |
Unique ID of original document | uuid:727AE684A93111DAB628DA603B6055C5 |
Date and time of digitizing | 14:42, 27 February 2006 |
Date metadata was last modified | 13:52, 28 August 2020 |
Copyright status | Copyright status not set |