Ghazal

The ghazal is a poetic form that has rhyming couplets and a refrain, with each line sharing the same meter. A ghazal talks about both the pain of loss and the beauty of love in spite of that pain. The form is ancient. It started in 6th century Arabic verse. It comes from the Arabian panegyric qasida. The structure of the ghazal are similar in strictness to those of the Petrarchan sonnet. In its style and content it is a genre with a lot of variety of expression around its central themes of love and separation. It is one of the main poetic forms the Indo-Perso-Arabic civilization gave to the eastern Islamic world.

The ghazal spread into South Asia in the 12th century. This was because of the influence of Sufi mystics and the courts of the new Islamic Sultanate. Although the ghazal is mostly a form of Dari poetry and Urdu poetry, today it is found in the poetry of many languages of the Indian sub-continent.

Ghazals were written by the Persian mystics and poets Rumi (13th century) and Hafiz (14th century), the Azeri poet Fuzuli (16th century), as well as Mirza Ghalib (1797–1869) and Muhammad Iqbal (1877–1938). Through Johann Wolfgang von Goethe (1749–1832), the ghazal became very popular in Germany during the 19th century. The form was used by Friedrich Rückert (1788–1866) and August von Platen (1796–1835). The Kashmiri-American poet Agha Shahid Ali liked the form. He edited a volume of "real ghazals in English".

It is common in ghazals for the poet's name to be in the last verse. This is known as takhallus.

Ghazal Media

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  An illustrated headpiece from a mid-18th century collection of ghazals and rubāʻīyāt

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  Layla visits Majnun in the wilderness; the story of Layla and Majnun is one of the most famous Arabic tales of unrequited, unconditional love