Semitone
A semitone (British English) (also called a half step or a half tone[1]) is the smallest musical interval used in Western music.[2] It is the distance between two notes which are next to one another in pitch.
A whole tone means a distance of two semitones, i.e. the distance between two notes which are separated by one other note in pitch.
This is easy to see with a picture of a keyboard. The distance between two white notes that are side by side may be a whole tone (if there is a black note in between them) or a semitone (if there is no black note between).
To go from a C to a C sharp (or D flat) is a semitone.
To go from a C sharp (or D flat) to a D is a semitone.
To go from a C to a D is a tone.
An octave is divided into twelve semitones. These semitones are exactly equal in size.
Musical intervals are defined by a ratio of frequencies. An octave is a ratio of 2:1, so from 100 Hz to 200 Hz, and from 200 Hz to 400 Hz, are both octaves. A semitone is a ratio of the 12th root of 2 to 1, which is equal to 1.05946:1, so 1000 Hz and 1059.46 Hz are a semitone apart. A musical interval sounds better if the two notes have a small integer ratio. For this reason, it can be approximated by a ratio of 16:15 in just intonation.
Semitone Media
- Minor second on C.png
- Minor second on C = D♭. * * Just: 27:25 = 133.24 cents. * Equal-tempered: 21/12:1 = 100 cents.
- Cadence minor second.png
Demonstration of the melodic minor second's place in a cadence. Created by the uploader.
- Bach minor second smaller.png
Example of a harmonic minor second in J.S. Bach's first Prelude from "The Well-Tempered Clavier" book 1, mm. 7-9. (Surrounding mesaures available at Image:Bach minor second.png.) The work is public domain; this reproduction is by the uploader.
- Chopin minor second.png
Opening measures of Chopin's "wrong note" etude Op. 25 No. 5, demonstrating a humourous use of the minor second. The original work is public domain, image created by the uploader.
- Augmented unison on C.png
- Augmented unison on C = C♯. * * Just: 25:24 = 70.67 cents. * Equal-tempered: 21/12:1 = 100 cents.
Excerpt from Mendelssohn's Op. 102, No. 3, mm. 47-49. Original work is public domain, image by the uploader.
Franz Liszt's second Transcendental Étude, measure 63
- Marenzio solo e pensoso chromatic.png
Marenzio solo e pensoso chromatic
Pythagorean minor semitone on C
- Error missing media source
- Pythagorean apotome on C = C♯++ (Ben Johnston's notation). 2187:2048 = 113.69 cents.* * Limit: 3-limit. * MIDI pitch bend: 49,68
Related pages
References
- ↑ Semitone, half step, half tone, halftone, and half-tone are all variously used.[1][2][3][4] Archived 2007-04-03 at the Wayback Machine[5][6]
Aaron Copland, Leonard Bernstein, and others use "half tone".[7] [8][9][10]
One source says that step is "chiefly US",[11] Archived 2007-04-03 at the Wayback Machine and that half-tone is "chiefly N. Amer."[12][dead link] - ↑ Miller, Michael. The Complete Idiot's Guide to Music Theory, 2nd ed. [Indianapolis, IN]: Alpha, 2005. ISBN 1592574378. p. 19.
Further reading
- Grout, Donald Jay, and Claude V. Palisca. A History of Western Music, 6th ed. New York: Norton, 2001. ISBN 0-393-97527-4.
- Hoppin, Richard H. Medieval Music. New York: W.W. Norton, 1978. ISBN 0-393-09090-6.