Ragtime
Ragtime (or rag-time) is a musical genre which enjoyed its peak popularity between 1897 and 1918.[1][2]
| Ragtime | |
|---|---|
| Stylistic origins | Cakewalk, African American folk music |
| Cultural origins | 1890s: US |
| Typical instruments | Mainly piano, sometimes banjo orchestra, brass band |
| Derivative forms | Stride, novelty piano, honky tonk Quickstep, Foxtrot |
| Fusion genres | |
Its main characteristic trait is its syncopated, or 'ragged', rhythm.[2] It began as dance music in the red-light districts of American cities such as St. Louis and New Orleans years before being published as popular sheet music for piano.[3][4]
Ragtime was a modification of the march made popular by John Philip Sousa, with additional polyrhythms typical of African music.[3] The ragtime composer Scott Joplin became famous through the publication in 1899 of the Maple Leaf Rag and a string of ragtime hits that followed. For at least 12 years after its publication, the Maple Leaf Rag heavily influenced subsequent ragtime composers with its melody lines, harmonic progressions or metric patterns.[3]
Ragtime fell out of favor as jazz claimed the public's imagination after 1917, but there have been numerous revivals since. First, in the early 1940s many jazz bands began to include ragtime in their repertoire and put out ragtime recordings on 78 rpm records. A more significant revival occurred in the 1950s as a wider variety of ragtime styles of the past were made available on records, and new rags were composed, published, and recorded.
In 1971 Joshua Rifkin brought out a compilation of Scott Joplin's work which was nominated for a Grammy Award.[5] In 1973, the motion picture The Sting brought ragtime to a wide audience with its soundtrack of Joplin tunes. Subsequently, the film's rendering of Joplin's 1902 rag The Entertainer was a Top 5 hit in 1974.
Ragtime (with Joplin's work in the forefront) has been cited as an American equivalent of minuets by Mozart, mazurkas by Chopin, or waltzes by Brahms.[6] Ragtime influenced classical composers including Erik Satie, Claude Debussy and Igor Stravinsky.[3][7] Ragtime was included in the dance styles of Vernon and Irene Castle,[8] and influenced the English ballroom dances, the foxtrot and the quickstep.[9]
Ragtime Media
Scott Joplin achieved fame for his ragtime compositions and was dubbed the "King of Ragtime" by contemporaries.
Joseph Lamb's "The Top Liner Rag", a classic rag from 1916
The first page of "The Easy Winners" by Scott Joplin shows ragtime rhythms and syncopated melodies.
Sheet music cover for "Spaghetti Rag" (1910) by Lyons and Yosco
Shoe Tickler Rag, cover of the music sheet for a song from 1911 by Wilbur Campbell
James Scott's 1904 "On the Pike", which refers to the midway of the St. Louis World's Fair of 1904
The first edition cover of "Pine Apple Rag", composed and released by Scott Joplin in 1908.
References
- ↑ Perlman, Itzhak. "The Easy Winners and other rag-time music of Scott Joplin". Archived from the original on 2013-04-26. Retrieved 2010-04-26.
- ↑ 2.0 2.1 Berlin, Edward. "Ragtime". The Grove Music Dictionary. Oxford University Press. Retrieved 2009-06-29.
- ↑ 3.0 3.1 3.2 3.3 Rudi Blesh 1981 Scott Joplin: Black-American classicist: Introduction to Scott Joplin Complete Piano Works. New York Public Library.
- ↑ Hugh Brogan, The Penguin History of the USA, 2nd Edition, 1999, ISBN 978-0-14-025255-2, p415.
- ↑ Past Winner Database, 1971 14th Grammy Awards. Accessed Feb. 19, 2007.
- ↑ H. Wiley Hitchcock, "Stereo Review", 1971, page 84, cited in Scott Joplin: Black-American Classicist, p. xiv.
- ↑ Dickinson, Peter (1 January 1987). "Reviews of Books". Music and Letters. 68 (1): 78–79. doi:10.1093/ml/68.1.78.
{{cite journal}}: CS1 maint: date and year (link) - ↑ Golden, Eve 2007. Vernon and Irene Castle’s Ragtime Revolution. Lexington: University Press of Kentucky.
- ↑ Richardson P.J.S. 1948. The history of English ballroom dancing (1900–1945). Jenkins, London.
More reading
- Gildo De Stefano. Ragtime, jazz & dintorni. Preface by Amiri Baraka. SUGARCO Editions, Milan 2007. ISBN 978-88-7198-532-9