Reel-to-reel tape recorders

A Reel-to-reel tape recorder from Akai, 1978

Reel-to-reel tape recorders (often called R2R, open reel decks, etc.) were used during the 20th century, mostly in professional studios from the 1940s and quickly spread into people’s homes in the 1950s and 1960s. Popularity peaked in the 1970s, probably because people needed higher quality recordings. This technology was like a revolution, because everyone could record any kind of sound (vinyl records, radio broadcast, voice and music), then play it many times without the quality getting worse, and they could overwrite it many times. This technology has some weak points though: size of reels, sensibility, durability; but still, it has certain advantages over today’s “digital media formats.” Also, some famous bands and artists used reel to reel technology as a musical instrument ^[1] or even as a separate band.^[2]

Technical information

These reel to reel decks are usually analogue sound devices using a magnetic tape of ¼ inch (i.e. 6.25 cm) width. This plastic tape is covered by a special magnetic substance which is being made into magnetic domains when it is being recorded. The tape recorder must have a record, playback and an erase head which transfer the signal onto the tape. The more expensive tape decks have three or six separate heads. Tape recorders combine knowledge both on mechanics and electronics. There must be very precise motors and moving parts, but also a complicated circuit board. It has to contain transistors, amplifiers etc.

The usual functions of tape recorders are:

Playback (play)
Stop
Rewind
Fast forward
Pause

These functions can be handled mechanically (system of rubber belts and metal levers), or electronically (magnets, coils, integrated circuits).

Tape speed

The tape speed ^[3] is one of the things that finds out the playback time. This table gives information on tape speed and the playback time with an 18 cm reel.

Tape speed (cm/s)	Description	Playback time (min)
9.52	Lower, but O.K. quality	128
19.05	Standard-quality home use	64
38.10	Semi-professional or high quality use	32
76.20	Professional studio quality	16

Major producers

There were many producers during the era of tape recorders, such as Sony, Akai, Revox, Teac, Pioneer, Technics, Tesla and many others.^[4] These producers usually had several product series', which were different in price and functions. The best ones had digital programmable counters, reverse mechanic, electronic buttons, they could use big reels (such as 26.5 cm). There was also a big selection of tape producers – Maxell,^[5] Basf (Emtec), Quantegy, Agfa, etc.

Reel-to-reel tape recorders in Czechoslovakia

There were only a few producers of tape recorders in Czechoslovakia. The most important was Tesla, n.p.^[6] The main development was realized in Tesla Pardubice, but the mass production was held in Tesla Přelouč. Product numbers were in thousands pieces and tens of model lines. One of the most popular decks was monophonic Tesla Sonet Duo (1959).^[7] It was compact, portable and reliable. The collectors of Tesla decks agree that probably the most progressive model was Tesla B73 Hi-Fi Stereo (1978)^[8] which provided the principles to the later models. The supreme models were Tesla B115,^[9] B116 (1981) and Tesla CM130,^[10] CM160 ^[11] (1986) which were able to compete with similar models made by world’s producers. Still, there were (political) restrictions, so the best ideas and solutions could not be realized. The manufacture finished in 1990 as this technology turned out to be out-of-date.

Use with computers

Home computers used a 'datassette' to load and store programs very cheaply.

In the 1960s and 1970s, tape recorders were used to store programs and data.^[12] They record data as a sequence of tones of certain frequency. Nowadays, this method is used only to create backups, because the data rate of magnetic tape is very low.

Reel-to-reel Tape Recorders Media

A reel-to-reel tape recorder (Sony TC-630), typical of a 1970s audiophile device.
Magnetophon from a German radio station in World War II.
Unitra ZK-147, a vintage Polish-made reel-to-reel tape recorder
7-inch reel of Lua error in Module:Convert at line 452: attempt to index field 'titles' (a nil value). recording tape, typical of non-professional use in the 1950s–70s. Studios generally used 10¹⁄₂ inch reels on PET film backings.
Splicing block used when conducting edits. The block is typically mounted on a machine used for editing. The magnetic tape is marked and cut with a blade. Adhesive tape is applied to the back side of the magnetic tape which secures the edit.
Professional-style tape reel designed to fit large NARTB hub.
Astrovox Polaris III reel-to-reel 1960 at Universum in Ciudad Universitaria in Mexico City
"Heavenly" by Johnny Mathis. Produced by Columbia Records (CQ 333). Circa 1959. Recorded for playback at 7.5 ips.