Chinese calligraphy
Chinese calligraphy is calligraphy that is done in China. Chinese calligraphy is compared to painting, poetry, and music.[1]
| Chinese Calligraphy | |
|---|---|
| Country | China |
| Reference | 216 |
| Region | Asia-Pacific region |
| Inscription history | |
| Inscription | 2009 (4 session) |
| Chinese calligraphy | |||||||||||||||||||||||
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| Chinese name | |||||||||||||||||||||||
| Traditional Chinese | 書法 | ||||||||||||||||||||||
| Simplified Chinese | 书法 | ||||||||||||||||||||||
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| Korean name | |||||||||||||||||||||||
| Hanja | 書藝 | ||||||||||||||||||||||
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| Japanese name | |||||||||||||||||||||||
| Kanji | 書道 | ||||||||||||||||||||||
| Hiragana | しょどう (modern) しよだう (historical) | ||||||||||||||||||||||
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| Part of a series on |
| Calligraphy |
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In China, calligraphy is called shūfǎ (書法/书法). It means "way/method/law of writing". It is called shodō (書道) in Japan. It means "way of writing" in Japanese. It is called seoye (서예; 書藝) in Korea. It means "skill of writing" in Korean.[2]
Materials and tools
Four of the most important tools in Chinese calligraphy are called the Four Treasures of the Study. They are the ink brushes, the ink, the paper, and the inkstone. Many calligraphers also usually use water-droppers, paperweights.
Stroke order
Calligraphy usually follows a certain order when writing.
Chinese Calligraphy Media
Oracle bone fragment, Shang dynasty (ca. 1600–1046 BC)
On Calligraphy by Mi Fu, Song dynasty
Emperor Huizong (宋徽宗, 1082–1135), Auspicious Cranes (瑞鶴圖), Northern Song dynasty. The emperor’s inscription in slender-gold script (shòujīnshū), written directly on the painting, forms an integral part of the composition, asserting both aesthetic refinement and imperial authority.
Wen Zhengming (文徵明, 1470–1559), Calligraphy, Ming dynasty. Princeton University Art Museum.
References
- ↑ Li, You-Sheng. A New Interpretation of Chinese Taoist Philosophy: An Anthropological/Psychological View.
- ↑ Wang Li. 王力古漢語字典 (2000). Beijing: 中華書局. p. 1118. ISBN 7101012191.